Najboljši fotoaparat srednjega formata
Nakupujete najboljši fotoaparat srednjega formata v letu 2022? Srečnež! Te kamere z velikim senzorjem so sveti gral fotografske opreme.
Pred nekaj leti so bili fotoaparati srednjega formata veliki, zajetni, počasni in neverjetno dragi – večina fotografov si jih je lahko privoščila le najem.
Od takrat pa so jih blagovne znamke, kot sta Fujifilm in Hasselblad, dosegle!
V tem priročniku bomo pregledali najboljše digitalne fotoaparate srednjega formata leta in odgovorili na najpogostejša vprašanja o njihovi uporabi.
(Za filmske kamere srednjega formata si oglejte naš drugi vodnik.)
Ne glede na to, ali ste profesionalni fotograf, ki potrebuje največje število megapikslov za svoje stranke, ali samo ljubitelj, ki hrepeni po vrhunski kakovosti slike, je tukaj nekaj za vas.
Poglobimo se torej naravnost v priporočila za najboljše fotoaparate srednjega formata tega leta.
9 najboljših fotoaparatov srednjega formata v letu 2022
| Slika | Izdelek | Funkcije | |
|---|---|---|---|
| Hasselblad 907X 50COUR #1 IZBIRA |
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| Fujifilm GFX 100 NAJBOLJŠE OCENE |
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| Fujifilm GFX 50RPOPULARNA IZBIRA |
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| Hasselblad X1D II 50 ZELO PRIPOROČLJIVO |
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| Fujifilm GFX 50S |
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| Leica S3 |
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| Pentax 645Z |
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| PhaseOne XF IQ4 150 MP |
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| Hasselblad H6D-400c |
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1. Hasselblad 907X 50C
Oglejte si več ocen
Izbira urednika Pro- Odlična kakovost slike
- Razkošna zgradba
- Ohišje, odporno na vremenske vplive
- Kompaktna oblika
- Edinstven dizajn/ergonomija
- Dvojne reže za kartice SD
- Počasno samodejno ostrenje pri šibki svetlobi
- Kratka življenjska doba baterije
- Brez nastavkov za vroče/hladne nastavke
Kamera srednjega formata Hasselblad 907X 50C ima senzor s 50 milijoni slikovnih pik, ki podpira 14 stopenj dinamičnega razpona.
Čeprav ni izjemen v primerjavi z digitalnimi fotoaparati polnega formata, ima 907X 50C zelo uporaben razpon ISO od 100 do 25600.
Sistem ostrenja je zanesljiv zahvaljujoč 117 točkam samodejnega ostrenja z zaznavanjem pogodb – vendar 907X 50C pri neprekinjenem fotografiranju posname le 2,7 sličice na sekundo, zaradi česar ni primeren za hitro premikajoče se dogajanje.
Zajame 16-bitne datoteke RAW in snema 2,7K (2720 x 1530) in Full HD (1920 x 1080) na dvojne reže za pomnilniške kartice s polno uporabo senzorja v razmerju 16:9.
Vključuje tudi 3,2-palčni 2,36-milijonski pikčasti zaslon na dotik in nagib, zaradi česar je fotografiranje od pasu veliko lažje. Na drugi strani ni OVF, vendar je to del njegove privlačnosti in prizidka filmskim kameram srednjega formata Hasselblad iz preteklosti.
Številni profesionalni fotografi so ta fotoaparat srednjega formata označili za svojega favorita leta – res ni ničesar podobnega – je pravi predmet poželenja.
2. Fujifilm GFX 100
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Izbira urednika Pro- 102 milijona slikovnih pik!
- Uporablja sistem AF Fujifilm X-T3
- Osupljive podrobnosti slike
- Življenjska doba baterije
- Slaba ergonomija
- Velika in težka
- Pomanjkanje izvornih leč
Fujifilm GFX100 je zelo podoben zaraščenemu Fujifilmu X-T4 in to ni slabo, saj je retro-navdihnjen dizajn fotoaparatov Fuji čudovit.
GFX100 uporablja enak sistem samodejnega ostrenja kot X-T3, kar omogoča zelo natančen in odziven sistem s 425 točkami AF. Še več, zajame 5 sličic na sekundo v rafalih, zaradi česar je zgornji Hassie v primerjavi z njim videti počasen.
Izstopajoča lastnost Fuji GFX je briljantno 0,5-palčno iskalo OLED s 5,76 milijoni točk, ki je poleg 3,2-palčnega nagibnega zaslona na dotik, 1,8-palčnega zgornjega LCD-ja in 2,05-palčnega LCD-ja na zadnji strani.
Kot pri vseh brezzrcalnih fotoaparatih Fuji tudi GFX100 vsebuje 16 filmskih simulacij Fujifilm, čeprav je sporno, ali bi lastnik fotoaparata srednjega formata snemal v JPEG ...
3. Fujifilm GFX 50R
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Izbira urednika Pro- Lahek in kompakten
- Odporno na vremenske vplive
- Osupljive slike
- Ergonomija
- Slabo samodejno ostrenje
- Pomanjkanje izvornih leč
Tako kot fotoaparat serije Fujifilm X-Pro tudi GFX 50R prevzema stil merilnika razdalje in ga združuje z vrsto zmogljivosti.
50R optimizira tehnologijo tipala srednjega formata za zagotavljanje izjemne ločljivosti slike in popolnoma ogromnih datotek.
Samodejno ostrenje je v redu, če motivi mirujejo, kot pri portretnem fotografiranju. Samodejno ostrenje težko zadrži premikajoče se motive tudi z zaznavanjem obrazov, zaradi česar je GFX 50R vse prej kot idealen za ulično fotografijo ali karkoli, kar vključuje akcijo.
Z lahkoto obvladuje šibko svetlobo, zahvaljujoč visokemu izhodu ISO, pri čemer so slike, posnete pri ISO 25.600, še vedno videti ugledne, če so natisnjene v velikosti 11 x 14 palcev.
4. Hasselblad X1D II 50C
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Izbira urednika Pro- Izjemna kakovost slike
- Briljanten EVF/zaslon na dotik
- Odličen uporabniški vmesnik
- Odlična kakovost izdelave
- Odporno na vremenske vplive
- Dvojne reže za kartice UHS-II
- Slaba življenjska doba baterije
- Počasno delovanje senzorja
- Slabo delovanje AF pri šibki svetlobi
Hasselblad X1D II 50C je zasnova vesoljske dobe, ki ponuja prepotrebne izboljšave v primerjavi s svojim predhodnikom.
Edinstveno oblikovano ohišje digitalnega fotoaparata srednjega formata ima globok oprijem za optimalno udobje in se popolnoma prilega estetiki industrijskega oblikovanja.
Ima ogromen 3,6-palčni LCD zaslon na dotik z 2,4 milijona pik ločljivosti in razmerjem 4:3, ki se ujema s tipalom srednjega formata.
OLED EVF je impresiven s 3,69 milijona pik ločljivosti, zaradi česar je prikaz prizora izjemno oster. Uporabniški vmesnik je dobro zasnovan in je veselje do uporabe.
Razočaranje je, da je X1D II počasen po današnjih standardih za visokokakovostne fotoaparate srednjega formata – vklop, ostrenje in zajemanje posnetka se zdi počasno in traja veliko predolgo, kar vodi do potencialno zamujenih priložnosti za fotografiranje.
Vendar že en pogled na neverjetne podrobnosti slike, ko urejate slike v računalniku, in vsa počasnost je pozabljena!
5. Fujifilm GFX 50S
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Izbira urednika Pro- Hitro in natančno samodejno ostrenje
- Lahek in kompakten
- Odstranljivo elektronsko iskalo
- Odlična kakovost videa
- Pomanjkanje izvornih leč
- AF je lahko počasen
Poleg izdaje Fujifilm GFX100 je bil manjši, a enako impresiven GFX50S.
Čeprav je kakovost slike odlična, se je Fuji namesto lastnega X-Trans odločil za Bayerjev senzor s 50 milijoni slikovnih pik – senzor 44 x 33 mm zagotavlja osupljivo visoko ločljivost slike.
Sistem ostrenja na 50S ni para v ponudbi srednjega formata. Poleg tega posname 3 sličice na sekundo v zaporednem načinu.
Z razponom ISO od 100 do 12800 in razširjenim razponom do 102400 je zmogljivost pri šibki svetlobi odlična.
GFX50S ima zelo podoben slog in občutek kot Fujifilm X-H1, zahvaljujoč oprijemu in zgornjemu LCD-prikazovalniku, zaradi česar je udoben za dolgotrajno fotografiranje.
It’s hard to ignore the rear’s boxiness that supports the 3.2″, 2.36 million-dot tilting touch screen – the design is likely to be polarizing.
The removable 0.5″EVF is a 3.69 million-dot OLED with 100% coverage, ensuring your entire scene is represented faithfully and in all its glory.
6. Leica S3
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Izbira urednika Pro- Stunning 64MP image quality
- It’s a Leica
- 4K video
- Some outdated features
- The price tag!
Leica is a brand synonymous with high precision engineering and superb optics. The Leica S3 has a 64-megapixel sensor delivering stunning images and 15 stops of dynamic range.
The Leica S3 DSLR is organic, curvaceous and relies on a pentaprism viewfinder. However, the 3″, 921k-dot LCD is not up to the standards of other cameras in our guide.
It records 4K at 24 fps and Full HD up to 30 fps – external recording is available for Full HD with 4:2:2 8-bit colour sampling, although it has to be asked – who buys medium format digital cameras to shoot video, let alone a Leica?!
While the S3 boasts impressive specs, it comes with an exceptional price tag – one of the most expensive medium format cameras available here in 2022.
With Leica, you’re purchasing a camera and the prestige that comes with the name. You’ll feel good using one… although your bank account may not.
7. Pentax 645Z
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Izbira urednika Pro- 51.4-megapixel sensor
- Exceptional low light performance
- Ugly!
- Rather dated
- Focus performance
The Pentax 645Z is another DSLR medium format camera that’s a beast with a 51.4-megapixel sensor.
The 645Z is getting on in years, and the design is not a redeeming feature – especially compared to the gorgeous GFX50S or Hasselblad X1D II 50C.
The weather-sealed body has a pair of standard SD slots and the rechargeable battery delivers 1230 shots while powering the bright 3.2″ 1.03 million dot tilting TFT LCD.
As the 645Z is older, focusing performance isn’t great. The Pentax is best for studio or portrait settings where autofocus performance is nice but not essential.
8. PhaseOne XF IQ4 150MP
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Izbira urednika Pro- 150 Megapixels!
- Native SO 50-25,600
- Incredible image quality
- Lots of tethering options
- Astronomical price
- Slow performance
If you thought the 100MP Fuji was impressive, meet the PhaseOne XF IQ4 150MP with its 152-megapixel sensor. Its sensor is 2.5 times bigger than a 35mm full-frame sensor!
PhaseOne delivers insane image quality and unimaginable levels of detail.
The PhaseOne XF IQ4 is a ‘digital back’ that attaches to the PhaseOne XF camera body. There’s also a detachable viewfinder. The sensor delivers 16-bit RAW files and a remarkable 15 stops of dynamic range.
That’s a lot of data processing the camera has to do and as a result, the XF IQ4 is slow to respond under any conditions. Powering up, autofocus and image capture are all painfully slow.
It features a 3.2-inch multi-touch display, an XQD and SC card slot, and several new tethering options including wireless, USB-C and Ethernet – useful when burning through 150 megapixel images!
9. Hasselblad H6D-400c
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Izbira urednika Pro- 100-megapixel
- Up to 400-megapixel images!
- Big and heavy
- Need to take out a second mortgage
Where the Hasselblad X1D II 50C is slick, the Hasselblad H6D-400c is an abstract of brutalist design. A tool for serious pro use, this 100-megapixel camera delivers exceptional image detail for an enormous printing scale.
Like the PhaseOne, the Hasselblad is a digital camera back attached to Hasselblad H Series camera bodies – the average combined weight is well over 2kg.
The 400c is a multi-shot camera that uses sensor-shift technology to capture multiple images within an instant.
In 6-multi-shot mode, six images combine to create a single 400MP image, delivering a 2.4GB, 16-bit Tiff file. Fortunately, it features dual card storage for an SD and a CFast card.
It’s not built for action photography – it’s a studio camera that’s best on a tripod while tethering to an external recorder. Plus, it can capture 4K and Full HD video at 30 fps.
Medium Format Cameras FAQs
- What is a medium format camera?
Medium format photography refers to the cameras that use 120 film size that’s much larger than the standard 35mm camera film commonly used. 120 film is still readily available today as a standard film size.
In digital camera photography, medium format sensors are larger than a standard 35mm equivalent full-frame sensor and achieve higher resolution.
- How many megapixels is medium format film?
Medium format film cameras have a resolution of approximately 83 megapixels (83MP) with a 60 x 60mm frame and 125 megapixels (125MP) with a 60 x 90mm frame.
- What aspect ratio is medium format?
Medium format can be shot in any aspect ratio with 1:1 and 4:3 being the most common.
- What is the advantage of a Medium Format Camera?
Considering the advantages of a medium format camera raises the question: ‘ Is medium format better?’ .
In short, medium format is better than other formats as a greater level of detail is captured by the larger image sensor. With greater detail, medium format photography files can be edited without compromising the quality – plus, you can print large scale.
The second most common question is, ‘Is medium format better than full-frame?’ – this is a hotly debated question. There are several factors when comparing medium format to full-frame cameras.
In most cases, a full frame camera is smaller and lighter than a medium format.
While medium format cameras have greater image detail, they’re limited in their functions compared to full-frame cameras. Video, autofocus and low light performance are just a few examples where full-frame cameras win over medium format.
- Why are Medium Format Cameras so expensive?
Medium format cameras are usually high-end and expensive brands.
With a much bigger sensor, the camera needs a powerful image processor to manage precise information – these are expensive to produce. Plus, due to the larger sensor and framework supporting it, the cameras are bigger – bigger and more advanced technology cost more to make.
In many cases, medium format camera manufacturers only produce these models, so they’re an exclusive item.
- How do I make a digital image look like a medium format? (How do you fake a medium format?)
The best way to make a digital image look like a medium format is with the Brenzier Method.
The Brenzier Method uses a conventional camera and lens to capture several shots of the same scene – as though you were photographing a panorama. You ‘stitch’ the images together in editing software to create a single image.
The advantages of this process are that you’ll produce photos that have great detail, shallow depth of field and excellent bokeh and background.
Here are the steps to achieve a medium format look with full frame sensors or cropped sensors.
- With a 50mm prime lens, set your aperture as wide as possible – the smallest f-number on the lens.
- If using a zoom, keep your focal length at the same distance through the shoot.
- Focus manually to ensure your subject is in focus – avoid touching the focus again.
- Take a series of RAW images capturing all elements of the scene. Shoot four images from left to right – increasing the number with more experience.
- Make sure you overlap each shot with the previous one to avoid gaps in your final image.
- Load all of the RAW images into photo editing software such as Adobe Lightroom.
- Process them as a batch to ensure that any edits impact every photo in the series.
- Export the RAW images as JPEG files with the long-edge between 700-1000 pixels.
- Open Photoshop and select File, Automate and then Photomerge.
- A window appears – ensure that the default setting is selected (Layout:Auto and Blend Images Together).
- Locate and select your images and hit OK.
- Photoshop merges the files and creates a final panorama shot.
- Crop the file and admire the results of a high-resolution image with a stunning depth of field and background.
Zadnje besede
Thanks to Fujifilm and Hasselblad, digital medium format cameras are more accessible to photography enthusiasts.
While the price of medium format cameras and lenses is still high, the investment is well worth it if you intend to undertake high-resolution image-making and capitalise on that sensor size.
Fashion photographers, product photographers and portrait shooters will all attest to the benefits of medium formats. Landscape, wildlife and even street shooters are picking up such film or mirrorless cameras to optimise image detail.
What are your thoughts on medium format cameras? Do you own a medium format camera, or have you ever captured images with this style of a camera?
Share your thoughts and photography experiences with medium format cameras to join the conversation.